Colloque CRIHN 2025: Servanne Monjour (Sorbonne Université)

Colloque CRIHN 2025: Servanne Monjour (Sorbonne Université)

🎙 Servanne Monjour 👥 63 📅 September 11, 2025 ⏱ 41 min 👁 53 📄 expert opinion 🧭 2026-08-16
Available in: English (current) Français

Keywords

digital literaturearchivesremediationobsolescencehermeneutics

Summary

Servanne Monjour, a scholar from Sorbonne University, delivers the 5th annual Stéfan Sinclair-CRIHN lecture at the CRIHN 2025 conference. She begins by acknowledging the importance of the event in honoring Stéfan Sinclair’s memory. Her talk, titled ‘A medium always dies twice: hermeneutics of digital literature archives,’ explores the challenges of archiving and interpreting digital literary works. She argues that while media theory often claims media never die but are remediated, the process of remediation also reconfigures the original medium. She focuses on the moment of obsolescence and the attempts to collect, preserve, and transmit dying media. She identifies three levels of questioning: what disappears when a medium fails, what is forgotten in preservation, and what message is carried by our choices of capture and remediation. She draws on her experience as a researcher who often cannot read the works she studies due to their ephemeral nature. She discusses her visits to the Bibliothèque nationale de France (BnF) to consult web archives, highlighting the limitations of these archives, such as broken links, missing media, and the inability to access code. She emphasizes that the archive is not the original web but a reconstructed image, and that archival practices are influenced by an imaginary of the archive. She concludes by suggesting that the archive of digital literature is a rich field for research, as it reveals the interplay of imaginaries and the importance of sensory experience.

234 words

Critical Evaluation

Value of the Information & Strength of the Argument

The talk offers valuable insights into the challenges of archiving digital literature, drawing on the speaker’s personal experience and theoretical knowledge. She effectively argues that the archive is not a faithful copy but a remediation that reconfigures the original, and she highlights the importance of considering the imaginary and sensory dimensions of archives. The argumentation is coherent and well-structured, though it relies heavily on anecdotal evidence and personal reflections rather than systematic empirical data.

Scientific Rigor, Source Quality, Title Accuracy

The speaker demonstrates scholarly rigor by referencing key theorists such as Marshall McLuhan, Pierre Bayard, and Arlette Farge, and by acknowledging existing initiatives in digital preservation. However, she does not provide detailed citations or a bibliography, and the talk is more of a reflective essay than a systematic study. The title accurately captures the central theme of the talk, which is the double death of media and the hermeneutics of digital literature archives.

162 words

Title / Content Match

The title accurately reflects the content, which focuses on the death and archiving of digital media, particularly digital literature.

Quality & Reliability

8/10

The speaker is a recognized scholar in digital literature and media studies, and the talk is based on her research experience and theoretical frameworks. However, the presentation is largely anecdotal and lacks systematic citations or empirical data.

Key Moments

Cited Sources

Concurring Sources

  • Hermeneutica: Computer-Assisted Interpretation in the Humanities — The speaker references this work by Jeffrey Schnapp and Stéfan Sinclair, which aligns with her call for an agile hermeneutics.

Contribution & Novelties

The talk offers a novel perspective on digital literature archives by applying the concept of ‘a medium dies twice’ to the archival process, emphasizing the hermeneutic challenges and the role of imagination. It contributes to the field by highlighting the need for a critical approach to archives that considers their constructed nature.

Pour aller plus loin :

  • Remediation: Understanding New Media — Relevant to the concept of remediation discussed in the talk.
  • Web archiving — Provides background on the technical and methodological aspects of web archives.
  • Digital humanities — Contextualizes the field and its approaches to digital objects.

98 words

Radar Profile

The radar profile shows high scores in information quantity and quality, reflecting the speaker's expertise and the depth of the talk. The technical level is moderate, suitable for an academic audience. The overall reliability is high, though the talk is more reflective than empirical.

Reliability 8/10