[CESERH] IMACTIS Research Seminar. Images Today org. by DONDERO & D’ARMENIO (18/01/22) - Seance 5

[CESERH] IMACTIS Research Seminar. Images Today org. by DONDERO & D’ARMENIO (18/01/22) - Seance 5

[CESERH] IMACTIS Research Seminar. Images Today org. by DONDERO & D’ARMENIO (18/01/22) - Session 5

🎙 Centre de Sémiotique & Rhétorique - ULiège 👥 178 📅 January 19, 2022 ⏱ 157 min 👁 46 📄 expert opinion 🧭 2026-10-09
Available in: English (current) Français

Keywords

augmented realityface filterssemioticssurveillanceidentity

Summary

This seminar session, organized within the CESERH research program at the University of Liège, features a lecture on augmented reality face filters, which the speaker argues represent a new type of algorithmic, real-time image. The presentation is structured in three main perspectives: technological, experiential, and political-economic. Technologically, the speaker traces the evolution from traditional photography to digital imaging and highlights how face filters involve a fusion of capture and display, breaking the classical separation between recording and restitution. Experientially, he discusses how filters enable fluid identity negotiation, but also raise concerns about body dysmorphia, whitening filters, and heightened cosmetic surgery requests, although he suggests that most uses are playful rather than beautifying. Politically and economically, he points to the role of platforms like Snapchat and Instagram in monetizing user data, as well as implications for facial recognition, surveillance, and algorithmic control, citing cases like TikTok’s automatic beautification and private companies collecting biometric data. He concludes by proposing a socio-semiotic approach that views these images as dispositifs—apparatuses that manage resources and are embedded in broader economic and political networks. The talk is dense, theoretical, and aimed at an academic audience, offering a critical framework for understanding contemporary visual culture.

198 words

Critical Evaluation

Value of the Information & Strength of the Argument

The talk provides a rich, interdisciplinary analysis that connects media theory, semiotics, and political economy. The speaker successfully argues that face filters are not merely playful tools but part of a larger algorithmic and data-driven image economy. The argumentation is systematic, moving from technical description to experiential and then socio-political implications, and it is supported by references to academic works and real-world examples. The proposal to consider these images as ‘dispositifs’ is original and offers a coherent conceptual lens. However, some points would benefit from more empirical evidence, and the speaker acknowledges the complexity while offering a tentative conclusion.

Scientific Rigor, Source Quality, Title Accuracy

The presentation is academically rigorous, referencing works such as ‘Les formes de l’expérience’ and concepts from media philosophy. The speaker cites institutional reports (e.g., American Academy of Plastic Surgeons) and investigative journalism (The Intercept) to support claims about political and economic aspects. The title is accurate as it describes the seminar and its theme. The absence of a written description or chapter markers is compensated by the structured oral presentation, though the transcript’s transcription errors slightly hinder clarity.

192 words

Title / Content Match

The title accurately describes the seminar session, its organizers, and the date; the content aligns with the announced theme.

Quality & Reliability

8/10

The talk is an academic seminar by a specialist in semiotics, drawing on theoretical frameworks and empirical research, though the transcript is noisy and some references are incomplete.

Key Moments

Cited Sources

  • Les formes de l'expérience — Book mentioned by the speaker as an epistemological framework for analyzing media experience.
  • American Academy of Plastic Surgeons — Institutional report cited regarding the rise in facial cosmetic procedures linked to face filters.
  • The Intercept — Investigative article about TikTok instructions to manually edit videos for aesthetic optimization, cited as example of platform politics.

Contribution & Novelties

The lecture offers a novel synthesis of media semiotics and political economy by framing augmented reality face filters as ‘dispositifs’ that manage resources and power relations. It moves beyond typical discussions of representation to address the material, algorithmic, and economic dimensions of self-imaging. The proposal to adopt a social-semiotic approach to such devices is a fresh contribution to visual culture studies.

Pour aller plus loin :

  • Augmented reality — Core technology underlying face filters, providing the technical context.
  • Social media — The platforms where these filters are deployed and monetized.
  • Biometrics — The use of facial recognition and fingerprint data, linked to the surveillance dimension discussed in the talk.

109 words

Radar Profile

The radar profile shows high scores in quantity and quality of information, with a slightly lower technical level due to the theoretical rather than practical focus. The overall balance indicates a substantial academic contribution, though the presentation is dense and may not suit non-specialists.

Reliability 8/10