Authentic Artifice Opening / Conférence d'ouverture Authentique Artifice

Authentic Artifice Opening / Conférence d'ouverture Authentique Artifice

🎙 Jonathan Sterne 👥 318 📅 May 18, 2017 ⏱ 91 min 👁 164 📄 expert opinion 🧭 2026-10-10
Available in: English (current) Français

Keywords

analog modelingdigital audioauthenticityspring reverbskeuomorphism

Summary

The video records the opening ceremony and keynote lecture of the third international colloquium of the International Society for Intermedial Studies, held at Université de Montréal in May 2017. After introductions and administrative announcements, Jonathan Sterne delivers a keynote titled ‘Beyond the Analog Revival: Constructing Digital Models of Analog Signal Processors’. Sterne discusses the cultural and technical dimensions of modeling analog audio equipment in the digital domain. He explains the concept of signal processing as the ‘cooking’ of media, and examines why engineers recreate analog characteristics digitally, including user familiarity, specific effects, and marketing. He critiques simplistic dichotomies between analog and digital, arguing that ‘analog’ is a retrospective category that reifies digital as artificial. He distinguishes between analog as a technical function and as a cultural label. Sterne’s research is based on participant observation with companies that develop digital models, and he illustrates his points with examples like spring reverb models. He emphasizes that authenticity in digital modeling is socially constructed and historically contingent. The talk addresses broader issues of mediation, materialism, and the politics of sound reproduction.

178 words

Critical Evaluation

Value of the Information & Strength of the Argument

The talk provides valuable insights into the cultural and technical practices of analog modeling in digital audio. Sterne’s argument is well-structured, moving from a definition of signal processing to a critical analysis of the analog/digital binary. He supports his points with concrete examples and quotes from engineers, grounding theoretical claims in empirical research. The reasoning is clear and persuasive, highlighting how notions of authenticity are negotiated in engineering and marketing.

Scientific Rigor, Source Quality, Title Accuracy

Sterne’s credibility is established through his extensive academic background and publications. He relies on participant observation and historical research, which adds rigor to his claims. The conference context ensures a high-level academic audience. The title accurately reflects the content, which focuses on the construction of digital models of analog signal processors. No external sources are cited beyond the conference website, but the talk draws on Sterne’s earlier works and broader sound studies literature.

158 words

Title / Content Match

The title matches the content as it is the opening ceremony and keynote of the conference 'Authentic Artifice'.

Quality & Reliability

8/10

The talk is based on participant observation and historical research by a renowned scholar in sound studies. The transcription is of a spoken lecture, so some errors exist, but the content is academically rigorous and well-argued.

Key Moments

Cited Sources

  • Authentic Artifice – 3rd International Colloquium – International Society for Intermedial Studies — Conference website and program for the event.

Contribution & Novelties

The talk contributes to sound studies and media theory by challenging simplistic analog/digital binaries and showing how digital modeling practices are culturally and historically embedded. It highlights the role of listening tests and engineering discourse in shaping notions of authenticity.

Pour aller plus loin :

  • Sound Studies Reader — Overview of the field that Sterne contributes to.
  • Skeuomorphism — Concept mentioned for visual interface design; see Wikipedia .
  • The Audible Past — Sterne’s seminal book on the cultural history of sound reproduction.

82 words

Radar Profile

The radar profile shows high scores in information quantity, quality, technical level, and reliability, indicating a strong academic presentation. The dominant strengths are in the quality of information and the speaker's expertise, with slightly lower but still solid scores in technical depth and global reliability.

Reliability 8/10